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The book gathers together a variety of papers which represent the sweep of interests and practices of the media team at RMIT University. The staff are diverse researchers and media makers, engaged with a wide variety of media and mediums and interested in making connections between media practices.

This project, a book, began at a research retreat where, as a group of researchers, the Media team were responding to a research probe titled ‘Media Is…’. The retreat produced several artefacts as outcomes, including this research portal, and some of the papers appearing in this book were developed as part of the retreat.

The papers in this book pose questions such as 'how does representation impact on interpretation?'; 'What happens when creative practice is influenced by research?'; 'How doe we understand the intersection of media and culture?'; and ultimately, what is Media.

Year: 
2010
Citation: 

Adrian Danks. To Become Immortal and then Die: The Representation of Home Photographic Materials in the Cinema. Latrobe University, Bundoora, 2001.

Year: 
2001

This thesis analyses the representation of ‘home’ photographic materials within a range of historically, aesthetically and generically diverse cinematic works. It responds specifically to the writing previously published in this field, which revolves around a restrictive, admittedly poetic and reductive methodology and focus.  read more »

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An ongoing series of articles, papers and book chapters that explore the inter-related areas of what happens when people go to the cinema in the movies, the film-on-film genre, and the quotation of one film (or related artefact such as photography) within another.

Citation: 

Adrian Danks. "Return of the Seldom Repressed: (Re)-Mastering Hitchcock’s Vertigo.” Metro 113/114 (1998): 42-7

Year: 
1998

Article examining the aesthetic and interpretative implications of the digital "restoration" and "remastering" of Hitchcock's Vertigo. This essay explores the concepts of remaking and remastering as integral to the meaning of Hitchcock's film.

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Adrian Danks. “The Hunter gets Captured by the Game: Robert Aldrich’s Hollywood.” Screening the Past 10 (2000): http://www.latrobe.edu.au/screeningthepast/current/cc0600.html.

Year: 
2000

Refereed article examining the three films about Hollywood - and its "aftermath" - directed by Robert Aldrich. This article explores the film-on-film genre, the end of Classical Hollywood, and the place of the auteur in American cinema, as well as the "human geography" of Aldrich's cinema.

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